![]() ![]() More than 1.43 million people saw the show at the Met Fifth Avenue, and 228,737 at the Met Cloisters. “Heavenly Bodies,” the largest show ever staged by the Costume Institute or the museum, stretched out over more than 60,000 square feet in 25 galleries in two locations. It wasn’t only visitors’ imaginations that traveled either-step counts rose, too. The Costume Institute has produced this unprecedented presentation of papal vestments on loan from the Sistine Chapel, together with ensembles from the early 20th century to the present. Heavenly Bodies: Fashion and the Catholic Imagination Evening Dress, Gianni Versace, Fall 1997 The Metropolitan Museum of Art, gift of Donatella Versace, 1999 (1999.137. Most of the exhibition was dedicated to exploring the diverse ways contemporary designers-whether faithful, lapsed, or nonbelievers-mined the legacy of liturgical garments and the rich symbolism of the Catholic church for their own aesthetic purposes, whether sacred or profane. Shop exhibition apparel and accessories inspired by Heavenly Bodies: Fashion and the Catholic Imagination at The Metropolitan Museum of Art. “Heavenly Bodies” was built around a cache of papal robes and accessories from the Sistine Chapel sacristy, some of which had never been seen outside of the Vatican. What made this show a blockbuster? An inspired theme, for one. 1 show, 1978’s “Treasures of Tutankhamun,” which drew 1,360,957 visitors. Having attracted 1,659,647 visitors, the show is now the Metropolitan Museum of Art’s and the Costume Institute’s most visited exhibition, outshining the former No. The Costume Institute’s spring 2018 exhibition, “ Heavenly Bodies: Fashion and the Catholic Imagination,” has officially entered a higher realm. ![]()
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